‘Babygirl’ Review: Nicole Kidman Is Fearless in an Erotic Office Drama About the Age of Control
Nicole Kidman stars in 'Babygirl,' an office drama exploring control and forbidden liaisons, directed by Halina Reijn.
'Babygirl' kicks off with Nicole Kidman's character, Romy, who seems to have it all; she's a CEO, a mother, and a wife, yet harbors secret fantasies. When a new intern, Samuel, played by Harris Dickinson, challenges her corporate authority, an illicit affair begins, turning her world upside down. Directed by Halina Reijn, the film delves into the complexities of corporate life and repressed desires.
Romy's life is a careful balance of professional success and personal secrets. Despite her high-powered career, she yearns for a break from control, a longing fulfilled by Samuel's provocative and confrontational behavior. His insubordination and raw demeanor become alluring to Romy, who finds herself drawn into a risky, sadomasochistic relationship.
Throughout the film, Kidman's portrayal of Romy oscillates between dominance and submission, reflecting a deeper commentary on modern corporate and sexual politics. Avoiding clichéd narrative arcs, 'Babygirl' examines themes of control, desire, and the blurred lines of professional and personal boundaries, making it a thought-provoking addition to contemporary cinema.