Review of Fatal Fury: City of the Wolves
A deep, complex fighter marred by controversial inclusions.
The much-anticipated Fatal Fury: City of the Wolves is a standout entry in SNK's storied lineage of fighting games, boasting both visual splendor and tactical gameplay depth. Connor Makar describes it as a 'masterful sequel to one of the genre's most beloved games.' After more than two decades since its predecessor, Garou: Mark of the Wolves, the new entry revisits classic characters, animating them with loving detail to appeal to both nostalgic fans and a new generation of players. The game arrives with a suite of modes including an extensive Episodes of South Town story mode, aimed at immersing players in the world through progressing narratives and battle challenges. Players have commended the game for its overwhelming content and artistry, noting the massive compendium of unlockable tracklists and engaging tutorial modes.
The gameplay itself sets a high standard, executing on complex defensive mechanics that reinforce strategic engagement. With 'Perfect Defend,' Guard Cancels, and dynamic REV Blows, the system allows for nuanced exchanges, rewarding well-timed defensive plays with opportunities to seize the advantage. While the input complexity poses a challenge, Makar acknowledges its appeal to advanced players seeking gratifying competitive depth. Nevertheless, the inclusion of simplified control schemes indicates SNK's awareness of diverse player preferences and its attempt to accommodate those less versed in fighting games. Yet, these simplified options don't quite match the skill expression possible with traditional controls, providing a less competitive alternative for casual matches.
Despite widespread excitement over its release, criticism emerges due to the game's connection to sportswashing controversies tied to SNK's ownership. The involvement of high-profile figures like Christiano Ronaldo and DJ Salvatore Ganacci as guest characters has been met with skepticism. Makar critiques their appearances as promotional tools aligned with the MiSK Foundation, prompting ethical debates about player roster choices and the moral accountability of indulging in the game. Highlighting Amnesty International's condemnation of Saudi Arabian sports policies, the review challenges the gamer community to consider the implications of such affiliations.
The structural decisions in City of the Wolves, from mode variety to online play offerings, provide a robust and immersive experience that rivals contemporary fighters. The game supports smooth netcode, essential in today's global online gaming environment, further establishing its credibility among modern titles. Despite the noted issues with menu designs and the online lobby's clumsier execution, the core gameplay and creativity present a multi-layered fighter worth attention. City of the Wolves emerges as a testament to SNK's enduring legacy in fighting game development, blending past accomplishments with innovative mechanics for the future.
Ultimately, Fatal Fury: City of the Wolves is a game that demands reflection from its audience, balancing exceptional craft with broader ethical considerations. Makar encapsulates this tension, recognizing the game's excellence while personally grappling with its controversial associations. This dichotomy places responsibility on each player to assess their stance, enjoying a piece of interactive entertainment while remaining cognizant of the underlying narrative influences. While its gameplay composition and artistic achievements speak loudly, the surrounding discussions ensure that City of the Wolves leaves a multifaceted imprint on the genre.
Sources: SNK, Connor Makar